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But even if you weren’t aware of the particulars, “Control” leaves no doubt that there will not be a sunny Hollywood ending. Those of you who know your pop-music history know that Ian’s story doesn’t end well. The ironic-sounding name of Joy Division is chosen, and their energetically gloomy songs gain the attention of British music impresario Tony Wilson (Craig Parkinson), who signs them to his label. In 1978, Ian is working at a government employment office when he meets up with some local fellows and becomes the lead singer and lyricist for their new band. The film skips whatever courtship or falling-in-love process there might have been. Before you know it, he has swiped his mate’s girlfriend, Debbie (Samantha Morton), and married her just two months after his 19th birthday.
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“Control” starts in 1973 in the working-class town of Macclesfield, where Ian (Sam Riley) is 17 and already a moody, introspective poet type. You can almost hear the love tearing him apart. Joy Division’s most famous song was “Love Will Tear Us Apart,” in which Curtis’ deep baritone doesn’t even sound particularly good, musically speaking. Ian Curtis was the lead singer of Joy Division, an influential Manchester band that helped shape the sounds of the new wave of British post-punk pop in the late ’70s and early ’80s. The melancholy is contagious.Īnd yet it is a beautiful film, in the way that sad things are sometimes beautiful. Ian’s ineffable sadness is more tangible. The perpetually gray skies of England seem all the more depressing. In “Control,” director Anton Corbijn makes that elemental choice, and everything else seems to follow naturally. Ian Curtis was such a mopey fellow that his story can only be told in black-and-white.